German Problems
Art and Fun at the Venice Biennial, 2017!
Art and Fun at the Venice Biennial, 2017!
A gathering of dilettantes and professors made their way to the courthouse to witness what KIRAC sees as a sublime travesty: the prosecution of artist Ben Lunato, described by KIRAC as blasphemy against the god of our age: woman. The result is a courtroom trying to decide whether sacred images are still allowed to be mocked. This film shows the preliminary hearing in full. Law professor Bart Jansen explains how the law attempts to colonise reality and art.
Why do women want to be whores? With Ben Lunato, we embark on a journey through the world of whores who, in our strange world, appear to have become the bearers of truth. We arrive in Los Angeles, where we meet the art dealer Stefan Simchowitz.
Art is a product of abundance! Episode 26 begins where episode 25 left us, and shows the dramatic attempts of art dealer Paul van Esch to shatter his financial ceiling and escape the boredom of the art world.
Director Stefan Ruitenbeek about this film: “Male Love” explores the intrigue and drama of a million-euro art deal. I’m an artist caught in the center, filming the deal while wrestling with feelings of resentment as the Boijmans Museum spends heavily on another artist’s work. As I scheme to disrupt the deal, Philip, the art collector, grows suspicious. The tension escalates and intermediaries, a city councillor and a law professor, step in to mediate the conflict. In Manhattan Art Review, Sean Tatol reviews this episode and our KIRAC films.
The film follows the KIRAC collective as we turn male and female arts and humanities students, who were expelled for sexual misconduct, into catalysts for a more decadent and artistic world. This film, originally commissioned by KIOSK / KASK, an esteemed art school in Ghent, Belgium, was abruptly cancelled just one day before its premiere. However, it’s available for online viewing. Runtime 75 minutes. Release date 2022 April 2
In this film, conservative philosopher Sid Lukkassen tries to save the world by having sex with leftist student Jini. Entering her boudoir, he is caught in an enchanting and unpredictable world.
Oscar van der Kroon works for Dutch public television. He wants to do Avant Garde Television but his mediocrity is holding him back. At the end of the Episode, he promises to do some introspection.
Buse, a teenager from Istanbul, is an art student at the Gerrit Rietveld Academy in Amsterdam. She wants to make a movie about her experiences at the school but she is afraid she will be kicked out for making a critical film about the world-renowned institution. KIRAC advises Buse to make the most of the decline of this institution and the bleak future it offers her.
This episode is an ironic call to a cynical liberal billionaire (Rob Defares, who owns a high-frequency trading firm) to fully use the cultural potency of his wealth, something this billionaire would never do because he wants to hide in the herd. It’s ironic because we know the call towards Defares will fall on deaf ears. So, it’s a mating call that flies over his head, reaching towards some other imagined monarch/billionaire to start the cultural revolution and who, by contrast to the unimaginative, fearful, skulking billionaire Rob Defares, emerges superior, enlightened, gay, and victorious.
KIRAC 18 and 19 are one film published in two parts. Among other things, this films shows my attempts to pummel art collector Philip van den Hurk into a 16th century style mecenas. He has to stop buying art as investment commodities. He has to stop buying art on fancy art fairs. Instead, he should spend his money aristocratically on us, the KIRAC film people, without getting any material return, only entertainment and artistic confusion. An important tool in pummeling Philip is a trip to Cairo. In this non-western sanatorium, my friend and radical artist Tarik Sadouma will give him a treatment that will cure Philip of his late-capitalism art buying deceases. But, Philip is not just a passive patient. He emerges as a force to be reckoned with, and secures himself a highly sought-after spot in the KIRAC pantheon.
KIRAC 18 and 19 are one film published in two parts. Among other things, this film shows my attempts to pummel art collector Philip van den Hurk into a 16th century style mecenas. He has to stop buying art as investment commodities. He has to stop buying art on fancy art fairs. Instead, he should spend his money aristocratically on us, the KIRAC film people, without getting any material return, only entertainment and artistic confusion. An important tool in pummeling Philip is a trip to Cairo. In this non-western sanatorium, my friend and radical artist Tarik Sadouma will give him a treatment that will cure Philip of his late-capitalism art buying deceases. But, Philip is not just a passive patient. He emerges as a force to be reckoned with, and secures himself a highly sought-after spot in the KIRAC pantheon.
Artist Stefan Ruitenbeek and Collector Philip van den Hurk reflect upon a dark moment in their relationship.
Team KIRAC hopes to extract some money from King Philip, a millionaire art collector. But Philip lures them into a strange affair with international star curator Charles Esche.
Shit literally hits the fan. Starring star-architect Rem Koolhaas, Kate Sinha, Francis Bacon, Stedelijk Museum Amsterdam.
Moulay struggles with his Moroccan heritage and his place within Dutch society. He is swept along by Tarik, who involves him in a symbolic game revolving around his own background, which only serves to alienate Moulay even more. In a thirty-page text, he tries to adhere to an imagined set of prescriptions that are supposed to aid him.
We might lose our Netflix-deal after Kate called someone a spoiled bitch. Starring Stefan Ruitenbeek, Kate Sinha, Steven ten Thije, Gerrit Rietveld Academy Amsterdam.
Bert Kreuk is an art collector who explains conceptual art in his book. Starring: Stefan Ruitenbeek, Bert Kreuk.
An ode to the sexual power of neo-marxism. Starring: Carolyn Christov-Bakargiev, Documenta14 in Athens.
This film is applauded by KIRAC-fans for it’s comparison between Van Gogh and Mondriaan. Starring: Kate Sinha, Hans Janssen, Vincent van Gogh, Piet Mondriaan.
We talk about BAP’s Fertility Cult Essay, the novels of D. H. Lawrence, Jack Dorsey, Peter Sloterdijk, Nietzsche, Kafka, Peter Thiel, Nick Land, Euripides.
Cody Wilson is a Baudrillard-inspired manufacturer of a ghost weapon infrastructure.
The USA is parading its incontinence, pissing everywhere. In the rest of the world, outsiders study the puddles and taste the piss. An example is Iran. We will start this talk with a short segment on Iranian propaganda, but we will talk mainly about something coming from the Vatican.
George Soros is usually discussed in the language of conspiracy or moral piety. But to understand someone it does actually make sense to listen to what they have to say. A beyond good and evil look at this impressive man. Join us for a mini voyage into the world of Soros.
Pietro Aretino’s Dialogues. Written in Renaissance Venice. A book about a functioning society because everybody’s always needing something from someone else. The masters need the slaves to bring the food from the land. The woman needs the slaves to have sex with. The master needs the sixteen-year-old beautiful girl to prance with, to feel young. And so everything clasps in each other in this sort of deeply unholy orgy of people.
on Patrick Collison and Tyler Cowen’s call for new aesthetics
“Well, you could say you want to make it the most masculine century, because that is what the females would like.”
Kate and Stefan look at some people who are competing to replace the crumbling normal elite. Aspirations to replace the NYT (Bari Weiss), the Holocaust narrative (historian Tom Holland), and suicidal universities (UATX). And we propose a DEEP ART STRATEGY.
Vibrating between total indifference and fear, the KIRAC people try to understand this new version of American Antisemitism, the latest version after religious and German Antisemitism. Nick Fuentes is its star.
Art, weirdness, and the crisis of passion. The Bronze Age Pervert on the Christian takeover of Trump’s movement. These Christians blame postmodern culture and memes for Charlie Kirk’s murder. How pointing at postmodernism and irony becomes a veiled form of censorship—and how there’s artistic opportunity in reconciling Christians with the rotting corpse, the stink, the body on the cross. Mel Gibson, Brechtian theater, the Counter-Reformation, Bernini’s Theresia trembling in delicious pain.
A conversation on authenticity in the Liberal vs Christian debate amongst prominent Politicians, Pundits, and Philosophers, some of whom display signs of shame for their evident lack of authenticity, while others can do without it altogether, and in doing so inform a different understanding of the very concept itself. The film (KIRAC episode 27 and 29) is coming soon. In the meantime, I’ll try to post updates once every two weeks tied loosely to our process, to make you part of the machine we’re building. We’ve received interesting responses to our talk on the billionaires’ metaphysical quest and have already recorded the next release exploring it further. YouTube / Spotify
KIRAC analyzes this metaphysical struggle: Mars versus the Cross. where billionaires compete over truth and power.
I am pleased with this conversation. Pierre d’Alancaisez , critic and curator of the art space Verdurin , speaks with us about our upcoming artwork and the theory behind it. Our optimism mirrors his pessimism, which allows us to articulate our stance on power and authority. It is a conversation about a world sliding into a multipolar, authoritarian, post-democratic reality — and what this means for art, for our art.
I wrote a text on “ ennobling portraiture ” when a young man approached me. He turned out to be the son of the famous Russian philosopher Alexander Dugin. What could someone in his position find in my ideas about art, and what could I learn from him, from the other side of the war?
Porkchop Express has read all of Dostoevsky in Russian, including novels, diaries, and the archive. She has an X account where she connects his work to current events and daily life.
What Peter Vack, the director and writer of the film Assholes, can learn from Dostoyevski’s use of ‘supercharacters’, how you can make the petty characters that you want to tell stories about, enormous. And Kate’s experience at the garden party of Dutch publisher Mai Spijkers.
Dasha Nekrasova’s Scary is filled with female characters engaging in lesbian love and some sex with unimpressive male dorks. A dominant, aggressive, male entity is present however, but only in a distant, metaphysical symbolic sense: in the form of Jeffrey Epstein and the mystery that surrounds him. What is the meaning of this? Whilst talking about the film and its quality as a film, Kate and Stefan stumble upon this question and try to answer it.
Kate and Stefan discuss Ari Aster’s Midsommar and other things that pop up. Such as: Cannibal Holocaust, Once Upon a Time in… Hollywood, Salo, Death in venice, Funny Games, The Shining, Blair Witch Project, The most beautiful boy in the world (Björn Andrésen), Medea, Primo Levi, Vera Mulder (redacteur vooroordelen De Correspondent), Rihanna & Amber Heard. (link tmrw)
About the film adaptation of Balzac’s novel ‘Lost Illusions’ by director Xavier Giannoli, but also very much about Balzac and what he means for art & artists today. And: Amadeus, Milos Forman, Girls, Lena Dunham, Quentin Tarantino, Philp & Inge van den Hurk.
Milo Yiannopoulos, Jordan Peterson, Archetypes, Bildung, America versus Europe, Sex, Medea, Lord Byron
Kate’s vision for how an art academy should be shaped, how you can improve your art by working with KIRAC, and what art is.
Sebastiaan wanted an internship at KIRAC. This is his diary.
Artist Luca Bertolo interviewed us for Artribune Magazine. This is the video I shot of the entire conversation.I think I get into a flow from question 4 and onwards, minute 13:30. Before that it might be interesting but I’m still a bit inside my head, the words coming out a bit vague and abstract. Things discussed: Thomas Bernhard, Mozart, Emmanuel Kant, Well-fare state. Article here (In Italian)
An evening at Max Novendstern’s loft in Tribeca, with Isa posing for painters, writers and philosophers and a screening of The Cosmic Wound Part One.
Rechtbank Amsterdam. The first preliminary hearing before the three-judge panel. According to KIRAC’s account, the prosecution was declared admissible and the request to question Nelke Mast was granted. (Source: Hearing date and procedural account supplied by KIRAC. The hearing time has not been established)
Rechtbank Amsterdam, 09:00 (Amsterdam time). The single-judge criminal chamber referred the case against Ben Lunato to a three-judge panel. (Source: Date, time and referral reported by Geerten Waling in EW)
Whore Dialectics Screening, erdstall.luh.as
Whore Dialectics Screening, event details
Whore Dialectics Screening, OT301 Ventilator Cinema
KIRAC Screening, The Brooklyn Center for Theater Research (Matthew Gasda)
Woke Award. Event . Video by Michiel Lieuwma
KIRAC screening, Open Secret, Etehadieh Space
KIRAC screening, The Open Secret, Spectacle Theater, Brooklyn
KIRAC screening, Millennium Film Workshop, curated by Dana Dawud
KIRAC screening, Millennium Film Workshop
KIRAC screening, KultFilmKlubb
Premiere KIRAC 28 “Faun”, Paleis van de Weemoed
KIRAC screening, Skene
Jini Jane presents KIRAC, Sovereign House NYC
Simchowitz Hill House Residency
Screening and party, Urbit Assembly
Rebooting the Arts panel, Convento do Beato
Episode 27 featuring Michel Houellebecq, Betty Asfalt
Episode 27 featuring Michel Houellebecq, Betty Asfalt
KASK exhibition rebuilt after cancellation
Premiere KIRAC 26 “Cornucopia”, Cafe Sweelinck
Premiere KIRAC 24 “Honeypot”, De Balie
Public premiere KIRAC 20 “The Latent Potency of Rob Defares”
Kate Sinha at “A Perfect Day”, Westergas
Screening at Campo Victoria festival
Radio Kunststof, NPO Radio 1
HART magazine talk, Art Rotterdam
KIRAC and Paul van Esch present Wout Neutkens
On/kunst #3, Lab111
Premiere KIRAC 16 “King Philip”, De Balie
Kate Sinha recites “Ayn’s Creature”, De Balie
Avant-garde and political engagement talk, De Balie
De Revisor: Het Personage
Screening “The Art of Stefan Simchowitz”, Staatliche Akademie der Bildenden Künste
Talk, De Nederlandse Opera
Talk on political correctness, M Museum
Teaching art students, Royal Academy
Talk on polarisation, Internationaal Theater Amsterdam
Talk on freedom of speech, De Idee
Premiere “Time’s Up, Old Man”, De Balie
Talk with philosophy students, UvA
Screening beta “Time’s Up Old Man”, MACBA
Screening “The Art of Stefan Simchowitz”, HFBK
Screening and talk, Fontys
Premiere KIRAC 13 “Stigma”, De Balie
Talk, Het Nieuwe Instituut
Talk with ethics students, University of Utrecht
Arnhem, Netherlands Teaching, Werkplaats Typografie (cancelled)
Premiere & soirée, Paul van Esch & Partners
Premiere and talk, Gerrit Rietveld Academie
Screening and talk, De Waag
Premiere KIRAC 10, Gerrit Rietveld Academie
Talk on film “The Square”, Cinema Rialto
Premiere “The Art of Stefan Simchowitz”, FC Hyena
Talk with Stefan Ruitenbeek, Stampa
Michiel Lieuwma with Bart Jansen · 13 October 2026
A discussion of Ben Lunato’s first hearing, artistic freedom and the prosecution’s approach. The episode description links to Blasphemy Against Woman and Whore Dialectics.
Camil Driessen · 31 May 2026
A report on Ben Lunato’s preliminary hearing, the defence’s argument that the case should not proceed, and its referral to a three-judge panel.
Timon Dias (Spartacus) · 24 May 2026
An introduction to KIRAC’s Blasphemy Against Woman, Episode 30, in connection with the hearing. The article’s characterisations are the author’s.
Geerten Waling · 19 May 2026
A report on the first preliminary hearing and the referral to a three-judge panel, with criticism of the prosecution.
Timon Dias (Spartacus) · 19 May 2026
A discussion of Ben Lunato’s case, reproducing part of his defence. The assertions in that defence remain attributed to Lunato.
Geerten Waling · 24 April 2026
On the prosecution of Ben Lunato and artistic freedom. Title and attribution supplied by KIRAC; the publisher’s full text was not accessible during this source check.
Publication day supplied by KIRAC; not independently confirmed.
2026 · AI installation and sound
An installation in which two AI voices argue in a repeating cycle. The language model and voice synthesis run locally on the device. Kate and Stefan are credited in the work.
Jan 23, 2026
Brant Teunis and Sebastiaan Verbeeten · 18 January 2026 · Film
A film featuring Sandra Soliman (Bimbo Ubermensch), published on Substack.
Theo Belci, May 31, 2025
Podcast
Theo Belci, Dec 19, 2024
Malou Wagenmaker, Oct 11, 2024
Olly Haynes, Jun 25, 2024
Jun 6, 2024
Jakob Semb Aasmundsen, Jun 1, 2024
Paul Rhoads, May 22, 2024
Jakob Semb Aasmundsen, Apr 1, 2024
Paul Rhoads, Mar 27, 2024
Martin de Haan, Feb 24, 2024
Cory Stockwell, Jan 4, 2024
Thijs Lijster, 2023
Dec 2023
Dec 22, 2023
KIRAC 23: Honeypot (r. Stefan Ruitenbeek, 2022)
Keeping It Real Art Critics e un colectiv olandez notoriu, cunoscut pentru documentarele lor de teren, inclusiv un episod în care Michel Houellebecq întreține relații sexuale cu diferite femei, dar pe care autorul francez l-a oprit în instanță din a fi lansat. Un conflict suprarealist care merită urmărit. Până să-l vedem, Honeypot e the one to see. Pentru că mi-ar lua prea mult să explic de ce anume filmul ăsta e o minunăție-ghimpe, las aici descrierea lui: The film explores the hopes and illusions of young art students coming of age in a world that is saying goodbye to the enlightenment and its values; about the cheerful anticipation with which they face the possibilities of a setting sun.
Emil Vasilache’s contribution on KIRAC 23: Honeypot, from a roundup of 33 critics.
Laurent Lemasson, Dec 14, 2023
Nov 20, 2023
Tim Berbers, Sep 22, 2023
Gerry van der List, Jul 18, 2023
Michael Wurmitzer, Jul 18, 2023
Tobias Wenzel, Jul 17, 2023
Angeles Lopez, Jul 8, 2023
Cesare Sinatti, Jul 1, 2023
RJ Smith, Jun 26, 2023
Arnon Grunberg, Jun 26, 2023
Valérie Toranian and Clément Pétreailt, Jun 15, 2023
The archived copy of this article is incomplete.
Jun 8, 2023
Erick Overveen, Jun 7, 2023
Russell Williams, Jun 2, 2023
David Sexton, Jun 2, 2023
Nina Siegal, Jun 1, 2023
Michiel Lieuwma, Apr 26, 2023
Chloé Elbaz, May 18, 2023
Jeroen Coelen, Apr 23, 2023
Ariejan Korteweg, Apr 20, 2023
Ariejan Korteweg, Apr 13, 2023
Kitty Herweijer and Elif Isitman, Apr 9, 2023
Nuria Labari, Apr 8, 2023
Lorianne van Gelder, Apr 6, 2023
Gawie Keyser, Apr 2, 2023
Kyrre Lien, Apr 2, 2023
Marc Bassets, Apr 1, 2023
Joke de Wolf, Apr 1, 2023
Jonny Diamond, Mar 29, 2023
Wilfried de Jong, Mar 28, 2023
Sophie Hildebrand, Mar 28, 2023
Eloi Passot, Mar 28, 2023
Sander Becker, Mar 28, 2023
Ariejan Korteweg, Mar 28, 2023
Philip Oltermann, Mar 28, 2023
Tristan Theirlynck, Mar 27, 2023
Michiel Lieuwma and Robert Schuit, Mar 27, 2023
Eloi Passot, Mar 24, 2023
Michel Houellebecq, Mar 23, 2023
Mar 22, 2023
Tristan Theirlynck, Mar 23, 2023
Arnold Heumakers, Mar 23, 2023
Quentin Girard, Mar 21, 2023
Martijn Kruk, Mar 15, 2023
Benjamin Puech, Mar 15, 2023
Ariejan Korteweg and Eline Huisman, Mar 14, 2023
Margaux Solinas, Mar 14, 2023
Mar 13, 2023
Marc Obregon, Mar 23, 2023
Margot Dijkgraaf, Mar 9, 2023
Timon Dias, Mar 3, 2023
Tristan Theirlynck, Mar 3, 2023
Quentin Girard, Mar 1, 2023
English translation preserved from the previous archive.
Laureline Dupont and Emilie Lanez, Feb 14, 2023
Sophie des Déserts, Feb 14, 2023
Timon Dias, Feb 8, 2023
Feb 7, 2023
English translation preserved from the previous archive.
Michel Houellebecq, Feb 7, 2023
Paul Albert, Feb 3, 2023
Solveig Gram Jensen, Jan 31, 2023
English translation preserved from the previous archive.
Dec 9, 2022
Sean Tatol, Oct 28, 2022
Coen de Jong, Aug 6, 2022
Marian Donner, Jun 18, 2022
Lucas Gortemaker, Jun 9, 2022
Jeroen Bosch, Jun 9, 2022
Kate Sinha, May to Jun 2022
Joke de Leeuw, Apr 5, 2022
Apr 2, 2022
Sofie Van Waeyenberghe, Apr 2, 2022
Sofie Van Waeyenberghe, Mar 31, 2022
Bert Staes, Mar 30, 2022
Tim Miechels, Jan 12, 2022
Bert Brussen, Dec 16, 2021
Jelle van Baardewijk, Dec 16, 2021
Margriet Oostveen, Nov 18, 2021
Gabriel Geiger, Nov 5, 2021
Julius Koetsier, Nov 5, 2021
Marian Donner, Nov 3, 2021
Paul Rhoads, Nov 2, 2021
Sid Lukkassen, Nov 2, 2021
Linda Duits, Nov 1, 2021
Oct 2021
Johan Sanctorum, Oct 31, 2021
Peter Lamberts, Oct 30, 2021
Lale Gul, Oct 30, 2021
Mirjam Eeken, Oct 29, 2021
Erik Jonk, Oct 29, 2021
Oct 29, 2021
Oct 28, 2021
Jan Piet Ekker, Oct 28, 2021
Vrederijk, Oct 28, 2021
Oct 28, 2021
Oct 27, 2021
Sid Lukkassen, Oct 27, 2021
Robin Goudsmit, Oct 27, 2021
Sid Lukkassen, Oct 26, 2021
Chris Aalberts, Oct 26, 2021
Oct 23, 2021
Jeroen Bosch, Oct 22, 2021
Loes Reijmer, Oct 22, 2021
Michiel Lieuwma, Oct 21, 2021
Bert Brussen, Oct 21, 2021
Oct 21, 2021
Bart Nijman, Oct 21, 2021
Oct 21, 2021
Oct 21, 2021
Tristan Theirlynck, Oct 20, 2021
Tristan Theirlynck, Oct 20, 2021
The archived copy contains the opening paragraph only.
Oct 11, 2021
Edo Dijksterhuis, Oct 11, 2021
Sarah Bakker, May 6, 2021
Mar 3, 2021
Nov 6, 2020
Jeroen Bosch, Nov 4, 2020
Pepijn Woudrichem, Nov 4, 2020
Vincent van Meenen, Mar 2, 2020
Feb 6, 2020
Thijs Lijster · 18 December 2019 · no. 6
Rob Hoogland, Nov 18, 2019
Oct 21, 2019
Lisa Goudsmit, Jun 6, 2019
Simone van Saarloos, May 19, 2019
Jim Deddes, Abelmanbroer, Mar 17, 2019
Bert Brussen, Mar 9, 2019
Gemme Burger, Mar 8, 2019
Adriana Ivanova, Jan 5, 2019
Jorik Galama, Nov 26, 2018
Bert Brussen, Nov 5, 2018
Spartacus, Nov 5, 2018
Kunstmeisje Kate dropt nieuwe aflevering. Doelwit: Stedelijk Museum Amsterdam
GeenStijls kunstkenners achter vijandelijke linies, KIRAC , ook wel dat leuke meisje Kate en die gast die je er altijd gratis bij krijgt zijn z'n naam ff kwijt, zijn alweer 15 afleveringen oud. Waren we vrijdag weer bij inderdaad, de uitverkochte première in De Balie, want dat is inmiddels toch wel de nieuwe orthopraxie van de nucleus van het aanstaande partijkartel. Wij van de nieuwe renaissance zijn het er namelijk allemaal enorm roerend over eens dat kunst Heel Belangrijk is, dat het wereldje onder de voet gelopen is door '68, en op zo'n avondje wordt ritueel gevierd dat Kate van Castilië de reconquista inluidt. Of we nu echt altijd begrijpen wat er gezegd wordt weten we niet, maar dat lijkt de essentie niet te zijn. We hebben weer een hond in de race.
Sietske Bergsma, Nov 4, 2018
Kate Sinha, Aug 27, 2018
Gerben Bakker and Gert Jan Geling, Aug 24, 2018
Michael Porter, Jul 24, 2018
Sietske Bergsma, Jul 24, 2018
Arjen Ribbens, Jun 22, 2018
Sietske Bergsma, Apr 30, 2018
Thijs Broer, May 4, 2018
Fabian van Hal, May 3, 2018
Wierd Duk, May 3, 2018
Jeroen Bosch, May 2, 2018
May 1, 2018
Apr 29, 2018
Rob Smolders, Feb 27, 2018
Rob Smolders, Feb 18, 2018
Kate Sinha, Feb 14, 2018
Feb 9, 2018
Abigail R Esman, Feb 8, 2018
Marcel Wiegman, Feb 7, 2018
Haro Kraak, Jan 31, 2018
Loes van Beuningen · December 2017 · no. 6
Arnold Heumakers, Dec 1, 2017
Maria Groot, Nov 16, 2017
Roos van der Lint, Dec 7, 2016
Jan Hoek, Jun 14, 2016